Since 1989 Tatiana Elmanovich has been a resident of the United States.
In her native country she had four books and hundreds of film reviews published. She
worked as a film researcher at the Estonian Academy of Sciences and was on the Board of
the Estonian Union of Filmmakers.
With her previous book The Mirror of Time: Films by Andrei Tarkovski (1980, in
Estonian), Estonian publishers broke the Soviet ban on publishing books about the
distinguished Russian director of such films as Andrei Rublyov, Sacrifice
and others. When Andrei Tarkovski defected from the Soviet Union in 1983, the remaining
copies of The Mirror of Time were destroyed and the author was fired from all her
writing assignments and paying jobs. In 1975 her book The Image of Fact (in
Russian) described the experience of the Estonian television personalities who in the
1960s pioneered Western-style television journalism in the Soviet Union, challenging the
bans and limitations of the Communist regime.
In 1989, on the threshold of the republic's freedom, the author and her adopted son, a
student at the Art Institute, received political death threats for unknown reasons. They
escaped to the United States. In 1995 she revisited her native country and resumed her
career by reviewing American films for the Estonian media.
The decision to skip the painful process of translation and to write directly in English
gave birth to Death the Beginning, the author's first book in English.
| A Childhood Story Since
childhood I have experienced strange things like spontaneous past-life recollections and
out-of-body experiences. But our life was too hard to pay any attention to it. Russian and
German armies marched through our backyards and our lives. In 1940 Stalin occupied Estonia
within a couple of days, and immediately launched mass arrests. My two uncles disappeared
on their way to work and we never saw them again. On the heels of the
annexation of the Baltic states came World War II, and the retreating Red
Army took my father. |

1938: The
last days of Paradise |
|
At the end of the war we were staying on a remote Estonian farm surrounded
by woods and swamps. In 1944, Russians on their way back toward Berlin were passing
through Estonia, when out of the woods flew a crazy bullet that killed the little girl I
was playing with in the yard.
We were holding hands and running to have our breakfast. Suddenly, without a single sob,
my friend went limp and fell on the green grass like a lifeless pink Barbie doll with
scattered blond curly hair and glassy blue eyes. She was the farmer's daughter. I can
still hear the cry of the farmer's wife when she saw her child killed. My mother packed
our things, and the same day we were out of that place on our way home. Now, instead of
German soldiers, Russian soldiers patrolled the roads. They looked different. We saw the
Army that would reach Berlin and win the war. We saw the Army that had grown dangerously
strong, and was made up of people who would destroy Hitlerism and undermine Stalinism for
good, simply by bringing home the news that people out there, in Europe, lived a better
life than Russians did under Stalin's rule.
Relief and celebration were in the air, but not for me. Since the day of our return, I
carried guilt for not being killed instead of that beautiful girl. Her parents, the farm
people, were nice to us. My mother worked for them, and they fed us. They took their
chance by sheltering us. And like all good and righteous people in the world, they
expected to be rewarded. Instead, heaven took their daughter. And they were very angry
with me. I was sensitive enough to feel and read their thoughts and feelings. My inborn
sensitivity turned out to be my damnation. I felt like the one who had killed the girl.
That same week, together with the Russian Army, my father returned home for three days,
only to be killed in the battles for the Estonian islands two weeks later. It is hard to
believe, but I felt like the one who had killed my father as well. My childhood was over.
I entered the land of losers and loners not worthy to be loved, or succeed. Since that
time my entire life became a battlefield, a nonstop struggle to overcome that feeling of
guilt and worthlessness. This struggle lifted me to the top among my peers in my country
and this struggle let me fall down and hit the bottom in exile, and this inner struggle
made me look for answers beyond the earthly realm in other dimensions. Is that struggle
over? I don't know yet.
At the time I did not notice that it was probably my father's death in the Soviet Army
that took us off the list of the people marked to be sent to Siberia in the last wave of
Stalin's mass arrests. For three days and nights NKVD (KGB) cars, "black crows,"
took people out of their homes--elderly,
sick and children included--to
deport them to Siberia. For three days and nights we sat fully dressed near the window
waiting for them to knock at our door as well. They didn't. But when I went to school,
half of the students were missing
The teacher seemed not to notice, the students
names were not called and our presence was not verified
Soon the classes would be
regrouped in order to erase the memory of deported teenagers. Maybe they could erase that
memory, but not me
You bet, I felt guilty for not being sent to Siberia
My
inner struggle with the eternal guilt feeling was in full swing!
It seemed that the Soviet regime would last forever. But it was not so. In the 1980s the
crises of Marxist materialist ideology grew irreversible. A great number of psychics
emerged all over the Soviet Union. I met strong clairvoyants who could diagnose a disease
by merely looking at a patient. Tourists brought Carlos Castaneda's books from abroad, and
Don Juan's teaching fueled our imagination.
I was impressed with the psychics but I didn't develop my own abilities, considering them
quite average. But I looked for help from psychics. The very first prediction that I would
wind up in America, was made by a Jewish Moscow psychic in the early 1980s. None of us
believed that. We had a good laugh at that time. Later the same was foretold by another,
Estonian psychic, and again I had a good laugh. I studied astrology with a group in the
studio of the famous Estonian painter, Juri Arrak. We cast charts for each other and
competed in the eloquence of their interpretation.
But when, in exile, the social role of a film critic--a
supporter of talented and rebellious and banned filmmakers--was
taken from me, my interest in metaphysics filled the empty spot in my universe. And I
recognized that I was destined to change my subjectmatter. Instead of writing about films
and celebrities, I had to write about the spirit people who volunteered to talk to me.
One day I noticed that I was already writing a book and a mysterious voice suggested the
title: Death the Beginning, as well as messages about the eternal life of the
human soul. |